What I Read In October (which wasn’t for uni)


Okay. So I actually only managed to finish one non-university related book in October. But – what a book.

There are nineteen stories in total, all of them good, some of them incredibly good. The book opens with a strong offering from Alison Littlewood, whose story ‘The Boggle Hole’ is unexpectedly melancholy – to great effect. ‘The Fold In The Heart’ by Chaz Brenchley (who I had not previously heard of, and whose work I will be actively seeking out) is an eerie and beautiful story about abuse, and about love. ‘Departures’ by A.K. Benedict is clever and imaginative, and totally believable even in its surrealness. Kathryn Ptacek’s ‘Dollies’ is skin-crawlingly weird, while Christopher Golden’s ‘The Abduction Door’ masterfully evokes the breathless panic of a parent in search of their lost child, though the story takes a bizarre turn you might not expect – so much the better, in my opinion. Stephen Laws (who I still credit as giving the most incredible reading I’ve ever heard – his story, ‘The Slista’, read aloud at the Best British Horror 2015 launch, was utterly captivating) once again proves his formidable ability with ‘The Swan Dive’.

But, to my three favourites: Carole Johnstone, who is fast becoming one of my favourite writers, knocks it out of the park with her tense, suffocating tale ‘The Eyes Are White And Quiet’, which leads you sightless and bewildered on a strange, dark journey. ‘The House Of The Head’ by Josh Malerman is weird in all the right ways – a haunted doll-house sounds almost trite but I couldn’t stop reading until the very end. And ‘Four Abstracts’ by Nina Allan, who I believe is a true master of the genre, and whose ability to evoke authentic, tangible emotion even as she weaves uncanny strands into her narrative is unparalleled.

Looking for Laika Artwork (& new issue of Interzone out now!)


One of my favourite things about being published by TTA Press is the artwork which accompanies the story. There’s something really special about seeing the way someone else has interpreted your story, in a vastly different art form, and I feel like Richard Wagner has captured the essence of ‘Looking for Laika’ quite beautifully here. (And as it’s my first foray into Interzone, it’s also my first full colour illustration – which is FAR more exciting to me than it probably should be.)

Interzone #273 is at press now and can be purchased via the TTA Press shop. Also, if you take out a new subscription you’ll get this issue free, which is a bargain if you ask me. (There’s a similar deal available for Black Static if horror is more your bag.) More information is available on the TTA Press website)